IRENE SANKOFF & DAVID HEIN (Book, Music, Lyrics) are a Canadian married writing team. Their first show, My Mother’s Lesbian Jewish Wiccan Wedding (based on David’s mother’s true story) was the hit of the Toronto Fringe Festival, and then picked up for a commercial run by Mirvish Productions. It has now played and won best musical awards in the New York Musical Theatre Festival and across North America, with Sankoff and Hein performing in most productions. Come From Away was developed at the Canadian Music Theatre Project and Goodspeed Musicals’ Festival of New Artists, showcased at the NAMT Festival of New Works and enjoyed a record setting world premiere at the La Jolla Playhouse and Seattle Repertory, followed by Ford’s Theatre in Washington, D.C., the Royal Alexandra Theatre in Toronto and the Gander Community Centre Hockey Rink. Come From Away won three 2017 Dora Mavor Moore Awards, four Helen Hayes Awards, five Outer Critics Circle Awards and three Drama Desk Awards including Best Musical, as well as four 2019 Olivier Awards including Best Score and Best Musical. David and Irene were nominated for Tony® Awards for Best Book and Score and won the 2017 Outer Critics Circle and Drama Desk awards for Best Book. Irene and David are proud members of the Dramatists Guild and ASCAP. Immeasurable thanks to all of Molly’s People, to everyone who helped us on this journey and to our extraordinary friends from Away and in Newfoundland for inspiring and trusting us to tell your story. @SankoffAndHein.

KAREN AZENBERG (Director) is now in her 14th season as Artistic Director at Pioneer Theatre Company. Favorite projects include Beautiful: The Carole King Musical (a co-production between PTC and Geva), Natasha, Pierre & The Great Comet of 1812, The Lehman Trilogy, the world premiere of Alabama Story, the regional premiere of Sting’s The Last Ship,  Newsies, The Play That Goes Wrong, and The Rocky Horror Show. Through Karen, PTC also hosted the first (and still only) Utah out-of-town tryout for a Broadway musical: the Tony Award-winning Shucked. Originally from New York, her work there includes Lyrics and Lyricists (92nd St. Y), Blocks (a collaboration with Jonathan Larson) Prom Queens Unchained, and choreography for Richard Greenberg’s The Dazzle (Roundabout Theatre Company). Among her other credits are over 15 productions of West Side Story and she has worked with Indiana Repertory Theatre, Geva Theatre, Alabama Shakespeare Festival, Goodspeed, Theatre Aspen, and Utah Shakespeare Festival. Karen is a past president of the Stage Directors and Choreographers Society (SDC) and is a proud mom to Alexander and Emelia.

MUSIC THEATRE INTERNATIONAL (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 100,000 professional, community and school theatres in the US and in over 150 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior® shows are 30- and 60-minute musicals for performance by elementary and middle school-aged performers, while MTI’s School Editions are musicals annotated for performance by high school students. MTI maintains its global headquarters in New York City with additional offices in London (MTI Europe) and Melbourne (MTI Australasia).