Director’s Brief: The Rumble Down the Tunnel
by Karen Azenberg Late at night in New York City, you can stand on the subway platform and wait for the train and it is silent. Well, maybe not silent—there’s
Director's Brief >> Page 6
by Karen Azenberg Late at night in New York City, you can stand on the subway platform and wait for the train and it is silent. Well, maybe not silent—there’s
by Karen Azenberg Fun Facts: In 47 days, I’ll go to New York to do our first round of auditions for the 2018–2019 season. (Interesting, because we only finished casting
by Karen Azenberg Happy Opening Night! It’s been a crazy week, but I want to give a big shout out to the cast and design staff of i. What amazing
by Karen Azenberg We’re now five months into the Karen’s blog experiment. I say “experiment,” because I have yet to be convinced that all the random stuff going on here
by Karen Azenberg Happy Friday! Another busy week…. Playwright Alex Lewin, Director Matt August and the cast of The Envelope have been hard at work in one rehearsal room preparing
by Karen Azenberg Rehearsals for i started this week—we know that not only because the actors are here but also because there is no available space left in the scene