John Ford-Dunker* Voice Three John is thrilled to be back in Salt Lake after having recently been seen as Prince Harry in PTC’s King Charles III. Regional Theatre: Red (Geva Theatre), The Glory of
Lindsie Kongsore Patty Simcox Lindsie is a recent graduate from the University of Utah, where she received her BFA in Acting. She also has completed her internship with PTC this
Austin Reed Alleman John Off Broadway: The Skin of Our Teeth (Theatre For a New Audience, dir. Arin Arbus), Daniel’s Husband (Westside Theatre). Regional: Treasure Island (Cincinnati Playhouse in the Park), Nikola Tesla Drops the Beat (Adirondack
Alexandra HarboldDirector | Macbitches Alexandra Harbold is Co-Founder and Co-Artistic Director of Flying Bobcat Theatrical Laboratory and Assistant Professor with the University of Utah’s Department of Theatre. Recent directing projects include
Sophie McIntoshPlaywright | Macbitches Sophie McIntosh is a Brooklyn-based playwright whose work has previously been developed by the Chain Theatre, Boston Playwrights’ Theatre, The Bechdel Group, and the University of
Paul-Jordan JansenDirector | Looks Like Pretty Paul-Jordan Jansen serves as the Musical Theatre Administrator for PSA, as well as Associate Artistic Producer for Paramount Theatre. Jordan has been performing on
Elyzabeth Gregory WilderPlaywright | Looks Like Pretty Elyzabeth Gregory Wilder plays include Gee’s Bend, Fresh Kills, The Flagmaker of Market Street, The Furniture of Home, White Lightning, Provenance, and Everything That’s Beautiful. Her plays have been produced at
Mary P. Costello*Production Stage Manager | The Machine, Macbitches Mary P. Costello has worked on over 60 productions during 11 seasons with PTC. Favorites include Sting’s The Last Ship, Sweeney Todd:
Julie KramerDirector | The Machine Julie Kramer is very happy to be back at Pioneer, where she directed Miss Bennett: Christmas At Pemberley, Outside Mullingar, and four Play-by-Plays. She directed her
Matthew LibbyPlaywright | The Machine Matthew Libby is a writer based in Brooklyn. His play DATA won the Kendeda National Graduate Playwriting Award and was adapted as a digital production by
