January 24 – Februrary 8, 2014

By Aaron Sorkin

"Plenty of wise-cracking humor and suspense."
—TIME Magazine

“We use words like honor, code, loyalty. We use these words as a backbone to a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom I provide, then questions the manner in which I provide it.” 

—Lt. Colonel Nathan Jessup.

Important Dates

Monday–Thursday 7:00 PM
Friday & Saturday 7:30 PM
Saturday 2:00 PM

ASL-interpreted performance: Saturday, October 7th @ 2 PM




Creative Team

KAREN AZENBERG (Director) This marks Karen’s second season as Artistic Director here at PTC; last season she directed The Odd Couple, choreographed Les Misérables, and directed and choreographed A Christmas Carol: The Musical. In previous seasons as a guest artist, she directed Next to Normal (regional premiere), Rent and Miss Saigon, and she created the musical staging for the record-breaking 2007 production of Les Misérables. Originally from New York, her work there includes Lyrics and Lyricists (92nd St. Y), Blocks (a collaboration with Jonathan Larson), Prom Queens Unchained, and choreography for Richard Greenberg’s The Dazzle(Roundabout). Other credits include national tours of Carousel and Brigadoon, Neil Simon’sLaughter on the 23rd Floor (Regional Theatre Premiere at Geva), West Side Story (over 15 productions; Drama-Logue Award for Outstanding Choreography), A Christmas Memory(Alabama Shakespeare Festival), and Same Time Next Year (Indiana Repertory Theatre). Karen is on the board of the New York Musical Theatre Festival and is a past president of the Stage Directors and Choreographers Society.

JAMES NOONE (Scenic Designer) has worked for some of NYC’s most prestigious theatre companies including Playwrights Horizons, Manhattan Theatre Club, Lincoln Center Theatre, Roundabout Theatre Company and numerous others. Off-Broadway he designed the original productions of Terrance McNally’s Frankie and Johnny in the Clair de Lune, Edward Albee’s Pulitzer Prize-winning play Three Tall Women, the long-running solo shows Full Gallop and Fully Committed, Cowgirls and Breaking LegsA Bronx TaleBoys in the Band and the musicalRuthless. Broadway productions include Jekyll and HydeClass ActThe Persians, Judgment at Nuremberg, Night Must Fall, The Sunshine Boys, The Gin Game, A Bronx Tale and Come Back Little Sheba. He has designed national tours and at leading regional theatres across the country. His work in opera has been seen at Glimmerglass, NYC Opera, Lyric Opera of Chicago, Washington National Opera, and others. For television he designed Sweeney ToddCandide,PassionCamelot, Stephen Sondheim’s 80th Birthday Concert for PBS, and Company, seen in select movie theaters. Awards include the Drama Desk, American Theatre Wing Design Award, two Helen Hayes Awards (DC), the LA Ovation Award, and two NAACP Theatre Design Awards.


CAROL WELLS-DAY (Costume Designer) is one of PTC’s resident costume designers and the costume shop supervisor. Her recent designs for PTC include Something’s AfootClybourne ParkA Christmas Carol: The MusicalMan of La ManchaNext to NormalSunset Boulevard, Black Comedy, Dracula, Twelve Angry MenIs He Dead?, Dial ‘M’ for MurderThe Light in the PiazzaThe HeiressDoubtLost in Yonkers, Pride and Prejudice, James Joyce’s The Dead,The Importance of Being EarnestBrighton Beach MemoirsCyrano de BergeracPeter Pan,The Three MusketeersJoyful NoiseBig RiverAs You Like ItThe Count of Monte CristoA Streetcar Named DesireAn Ideal Husband and Hay Fever. She was assistant designer forInherit the Wind at the Ford Theatre in Washington D.C. She worked for the Utah Shakespeare Festival for 13 years as a costume shop supervisor and designer. This is Carol’s second tenure at PTC. During her earlier stint she designed over 15 productions, including My Fair LadyOliverand Romeo and Juliet. Carol has film and TV credits.

PAUL MILLER (Lighting Designer) Also at Pioneer Theatre Company: In the Heights. Broadway: Legally BlondeFreshly SqueezedLaughing Room Only as well as Of Thee I Singand Music in the Air (Encores). As Associate/Assistant: MacbethCompany, Sweeney Todd, Little WomenHairsprayThe Producers, Life x3The Music ManThe PriceSaturday Night FeverThe Civil WarOn the TownThe Sound of Music and Titanic. Off-Broadway: Vanities – the Musical, Waiting for Godot (50th Anniversary Production), Addicted and Balancing Act. Other Regional: Stratford Shakespeare Festival, Asolo Repertory Theatre, Cleveland Playhouse, Maltz Jupiter, Pasadena Playhouse, Baystreet Theatre, Lookingglass Theatre, Chicago Shakespeare, Goodspeed and Paper Mill Playhouse among others. International: Race for Love (China),Cinderella (Asia), West Side Story (La Scala). National Tours: Elf – The MusicalShrek – The MuscialStory Time Live, Wizard of Oz, Legally Blonde, Sweeney Todd, Hairspray, The Producers, Nunsense 20th Anniversary, Scooby Doo in Stage Fright, The Sound of Music. Television: Camelot (Live from Lincoln Center), Clairol on Broadway (A&E) as well as special events: This American LifeA Celtic Christmas SojournBroadway Under the StarsThe Holiday Spectacular from Bryant ParkBroadway BaresBroadway Under the StarsGypsy of the Year,Broadway Backwards. Paul has been the Lighting Director for the New Year’s Eve Celebration in Times Square for the last 14 years.

JOSHUA C. HIGHT (Sound Designer) A Graduate With Distinction of London’s Alchemea College of Audio Engineering, Joshua comes to us with many years of experience in professional audio systems repair and design, and has established himself as an exceptional live sound engineer in both London and Salt Lake City. Joshua is looking forward to a successful first season working in theater design with PTC. His other projects of note include working with Sommerset House for the 2012 Olympic Games, Of Monsters and Men, Collective Soul, Fallout Boy, Slash, the Psychedelic Furs, Citizen Cope, the Dropkick Murphys, Gogol Bordello, Kate Nash, Easton Corbin, Sevendust and many more.

AMANDA FRENCH (Hair and Makeup Designer) has been a Makeup and Hair Designer for over 20 years. She has worked for Montana Shakespeare in the Parks, the Utah Shakespeare Festival, the Utah Opera, Egyptian Theatre Company and the University of Texas as Austin. She is a contributing writer in the tenth edition of Stage Makeup by Corson, Glavan and Norcross, and her work can be seen in The Costume Technician’s Handbook by Ingham and Covey, andWig Making and Styling: A Complete Guide for Theatre and Film by Ruskai and Lowery. She attended the College-Conservatory of Music at the University of Cincinnati where she studied with Hair and Makeup Designer Lenna Kaleva. She is a member of the United States Institute for Theatre Technology (USITT) and a current University of Utah adjunct professor of wigs and makeup.



Study Guide

Content Advisory

Hello Dolly!

SYNOPSIS: Jerry Herman’s energetic Hello, Dolly! is a musical filled with charisma and heart. Matchmaker Dolly Levi is a widow, a matchmaker, and also a professional meddler –but everything changes when she decides that the next match she needs to make is to find someone for herself. Set in New York City at the turn of the century, Hello Dolly! is boisterous and charming from start to finish. Dolly Levi is one of the strongest and richest starring roles for a woman ever written for musical theatre.

LANGUAGE:  A few mild uses of  “damn.”

SMOKING AND DRINKING:  The characters sing of smoking although none is depicted, and wine and champagne are consumed during dinners.

SEX:  None.


FOR WHICH AUDIENCES?  Hello, Dolly! is suitable for all ages.


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