King James
by Rajiv Joseph
Directed by Miriam Laube
March 20-April 4, 2026
Meldrum Theatre at the Einar Nielsen Field House
Play
Runtime: approx. 2 hours, including one 15-minute intermission
Loyalty, Legacy, and Love for the Game
LeBron James isn’t just a basketball superstar—he was Cleveland’s hero. As one of the greatest players in NBA history, his impact on the city was undeniable throughout his years on the court there. In King James, Pulitzer Prize finalist Rajiv Joseph (Bengal Tiger at the Baghdad Zoo) crafts a funny and deeply poignant story about two friends whose lives are forever shaped by their shared devotion to their idol. Exploring the power of sports, loyalty, and human connection, King James brings the spirit of athleticism back to the Einar Nielsen Field House.
“Game on! King James is just the ticket!” — Daily Beast
“Exuberant and terrific!” — The Wall Street Journal
King James is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service imprint. (www.Dramatists.com)
Important Dates
Monday–Thursday 7:00 PM
Friday & Saturday 7:30 PM
Saturday 2:00 PM
ASL-Interpreted Performance: Monday, March 30 @ 7:00 PM
Curtain Call for All (Name Your Own Price): A select number of “name your own price” tickets (starting at $15) are available for every performance of King James. Book by calling 801-581-6961 starting Monday, March 16. Learn more about this program here.
Sponsors
Overview
Cast
Creative Team
RAJIV JOSEPH (Playwright) Rajiv Joseph’s play Bengal Tiger at the Baghdad Zoo has been awarded a grant for Outstanding New American Play by the National Endowment for the Arts. Rajiv’s New York productions include Animals Out of Paper (Second Stage Theatre, summer 2008), The Leopard and the Fox (Alter Ego, fall 2007), Huck & Holden (Cherry Lane Theatre, 2006), and All This Intimacy (Second Stage Theatre, 2006). In Los Angeles Huck & Holden was produced by The Black Dahlia Theatre in 2006. Through the Lark Play Development Center, Rajiv has traveled to Mexico and Romania, where Bengal Tiger at the Baghdad Zoo was translated into Spanish and Romanian, respectively, and performed in staged readings. Rajiv has been awarded the Paula Vogel Award by the Vineyard Theatre and the 2009 Kesselring Fellowship. Rajiv is a Founding Member of the new New York based theatre company The Fire Department and was a contributing writer on their first two theatrical events, Speakeasy and At War: American Playwrights Respond to the War in Iraq. He is a former Lark Playwriting Fellow and Dramatists Guild Fellow. His plays have been published by Samuel French, Dramatists Play Service, and Smith & Kraus. He received his B.A. in Creative Writing from Miami University and his M.F.A. in Playwriting from NYU’s Tisch School of the Arts, and he is currently a Language Lecturer at NYU with the School of Art and Public Policy and the Expository Writing Program. He served for three years in the Peace Corps in Senegal, West Africa.
MIRIAM LAUBE (Director) is a director, actor and educator. Credits include: Much Ado About Nothing (Oregon Shakespeare Festival); Queen (TheatreWorks Silicon Valley); The Tempest (Santa Cruz Shakespeare); Associate Director, Pirates of Penzance and Oklahoma (Oregon Shakespeare Festival). Acting credits include: 17 seasons at the Oregon Shakespeare Festival, where she originated the roles of Gynecia in Head Over Heels. Laube was seen on Broadway in Bombay Dreams and has worked with The Public Theater, 59E59 Theaters, St. Ann’s Warehouse, Berkeley Repertory Theatre, Dallas Theater Center, Milwaukee Repertory Theatre, Baltimore Center Stage, and The Guthrie Theater. She is a recipient of both the Lunt-Fontanne and Fox Fellowships. Miriam serves as a Text and Acting Coach in the Vocal Arts Department at The Juilliard School.
JO WINIARSKI (Scenic Design) Jo’s previous designs at PTC were Souvenir, Jersey Boys, Natasha, Pierre & The Great Comet of 1812; Native Gardens; The Prom; What the Constitution Means to Me; A Distinct Society; Ass; The Lifespan of a Fact; and Ain’t Misbehavin’. Jo’s Off-Broadway credits include The Fears, HYPROV, Accidentally Brave, The Absolute Brightness of Leonard Pelkey, and Love, Loss, and What I Wore. Regional design credits include Guthrie Theater; Arizona Theatre Company; Utah Shakespeare Festival (over 50 shows); The Old Globe; Berkeley Repertory Theatre; Oregon Shakespeare Festival; Dallas Theater Center; and Geva Theatre Center. Additional credits include Wishes for Disney Cruise Line. Jo was the art director on Late Night with Seth Meyers (episodes 1-844) and received an Emmy nomination for art direction for A Colbert Christmas: The Greatest Gift of All.
K.L. ALBERTS (Costume Design) This marks season 38 for Kevin! Some favorite PTC designs include Souvenir, The Play That Goes Wrong, The Curious Incident of the Dog In The Night-Time, Les Misérables (twice), A Christmas Story -The Musical, Little Shop of Horrors, as well as the world premieres of Laughing Stock, Dumas’ Camille, and It Happened One Christmas. For the Utah Shakespeare Festival, he designed last summer’s A Gentleman’s Guide to Love and Murder. The Taming of the Shrew, Ah! Wilderness, Big River, Les Misérables (yet again) and Guys and Dolls, among others. While living in New York. he worked on, off and very far from Broadway, and also for the Ralph Lauren Studios.
MARCELLA BARBEAU (she/her) (Lighting Design) is a New York City-based lighting designer. Recent credits include Here Lies Love (Center Theater Group); La Boheme (Portland Opera); The Heart Sellers (Cincinnati Playhouse); Octet (Hudson Valley Shakespeare); The Merry Wives of Windsor, Into the Woods, Much Ado About Nothing (Oregon Shakespeare Festival); Madama Butterfly, Maria de Buenos Aires (Opera San Antonio); The Threepenny Opera, Rigoletto, Maria de Buenos Aires (Opera Columbus); Carmen, Madama Butterfly (Austin Opera); La Traviata (Opera Omaha); Acis and Galatea, L’elisir D’amore (Florentine Opera); L’Amant Anonyme (Madison Opera); Murder on the Orient Express (Playmaker’s Repertory); Lucy and Charlie’s Honeymoon (Lookingglass Theatre, world premiere). Currently, she serves as the lighting designer for Santa Cruz Shakespeare. Upcoming: La Traviata (Opera Columbus), The Taming of the Shrew (Oregon Shakespeare Festival). She received her Master of Fine Arts at Boston University and is a proud member of USA 829. As a Chinese-American lighting designer, Marcella actively seeks to collaborate with and amplify the voices of fellow BIPOC artists of all intersectionalities.
PAUL JAMES PRENDERGAST (Sound Design) Pioneer debut. Broadway credits include All The Way, The Great Society. Off Broadway: Julius Caesar and Manahatta. Select regional credits include Oregon Shakespeare Festival (over 25 productions), Utah Shakespeare, Guthrie, Seattle Rep, Yale Rep, Mark Taper Forum, South Coast Rep, Long Wharf, Geffen Playhouse, Denver Center, Hartford Stage, Berkeley Rep, American Conservatory, American Repertory, La Jolla Playhouse, Alley, Alliance, McCarter, Cincinnati Playhouse, and Chicago Shakes. His commercial work includes extensive theme park and museum installations and multiple national tours with Diavolo Dance Theater. Paul’s accolades include Grammy and Drama Desk nominations, BroadwayWorld, Ovation, Drama-Logue, Garland, Gregory, Footlight, and Gypsy awards. His work as a singer/songwriter has appeared in films, on recordings and in music venues nationwide.
EMILY ROTH* (Production Stage Manager) is delighted to be returning for her second season with Pioneer Theatre Company! Other credits include: The Woman in Black US Tour (Pemberley Productions), Miss Saigon (White Plains Performing Arts Center), Dial M for Murder and Sea Monsters of the Deep (White Heron Theatre Company), Lesley Nicol’s How The Hell Did I Get Here? (Pemberley Productions), and Ajijaak on Turtle Island (IBEX Puppetry). She is the co-author of Stage Management Basics: A Primer for Performing Arts Stage Managers (Focal Press © 2017, 2nd ed © 2022).
JAMES O. HANSEN* (Stage Manager) is thrilled to be in his third season here at Pioneer Theatre Company! Other credits include: Beautiful (Geva Theatre). Joseph…Dreamcoat (starring David Archuleta), Mary Poppins, and Wonderland at Tuacahn Amphitheatre. Clue (starring Sally Struthers), The Wedding Singer, A Christmas Carol at The Gateway Playhouse. James earned a Bachelor’s Degree in Arts Management from Dean College. Special thanks to his Mom, Family, and Ostie for their love and support! DHH.
PIONEER THEATRE COMPANY (PTC) Now celebrating its 64th season, the award-winning PTC is Utah’s premier professional theatre company and a leading arts organization of the West. Led by Artistic Director Karen Azenberg and Managing Director Adrian Budhu, PTC presents world-class productions that celebrate diversity in culture and society, and serve as the connecting bridge between art and scholarship as an affiliate of the University of Utah. Notable productions include the regional premieres of Les Misérables, Sting’s The Last Ship, and Frank Wildhorn’s The Count of Monte Cristo, as well as the world premieres of Shucked (the first-ever Broadway tryout in Utah), A Distinct Society by Kareem Fahmy, Alabama Story by Kenneth Jones, The Messenger by Jeff Talbott, and Ass by Ellen Simon. For more information, visit PioneerTheatre.org.
ACTORS’ EQUITY ASSOCIATION (AEA) Founded in 1933, AEA represents more than 51,000 professional Actors and Stage Managers nationwide. Equity seeks to foster the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actor’s Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. #equityworks
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
Media
Publicity
Reviews
KUTV 2News This Morning
Get to know the stars of “Waitress” at the Pioneer Theatre Company
Utah Theatre Bloggers Association
PTC’s Waitress is Perfectly Baked
Front Row Reviewers
No Matter How You Slice It, Pioneer Theatre Company’s Production of Waitress is a Delicious Dish Worth Devouring
BroadwayWorld SLC
Review: WAITRESS at Pioneer Theatre Company is a Sweet Treat to Savor
Rhetorical Review
Messy, Honest, and Unforgettable: “Waitress” at PTC
The Utah Review
Pioneer Theatre Company’s 63rd season closer, Waitress, puts the crowning touch on a string of outstanding musical productions
Gephardt Daily
Review: ‘Waitress’ a quirky, uplifting story of one character’s meandering path to happiness
Salt Lake Magazine
Review: PTC’s ‘Waitress’ (with a slice of pie)
Preview Coverage
ABC-4’s Good Things Utah
“Waitress” the Broadway hit musical has it’s Utah premiere
FOX-13’s THE PLACE
Pioneer Theatre Company presents the Utah premiere of the hit Broadway musical, Waitress
City Weekly
THE ESSENTIAL A&E PICKS FOR MAY 1 – MAY 7
PBS Utah’s CONTACT with Mary Dickson
PTC Artistic Director Karen Azenberg Discusses Waitress
BroadwayWorld
WAITRESS Utah Premiere is Coming to Pioneer Theatre Company in May
@theU
PTC’s season finale is as sweet as pie
Salt Lake Tribune
Look Ahead: Local events and things to do this week, April 27-May 3
BroadwayWorld
Video: Pioneer Theatre Company’s WAITRESS in the Rehearsal Hall
Study Guide
Content Advisory
Please Note:
Pioneer Theatre Company believes in celebrating the breadth of human existence. Our content advisories focus on language, violence, drug/alcohol use, and sexual content. The age-based guidance below is intended as a recommendation only. We do encourage you to use your judgment based on your own research of the show, your own sensibilities, and a child’s age and maturity level.
Also, in accordance with theatrical licensing agreements, Pioneer Theatre Company presents each production as originally written and intended by its author(s). If you are concerned with any content beyond what is provided below, a copy of each production script is available for in-person perusal during PTC’s regular Box Office hours.
King James: For Which Audiences?
King James is recommended for ages 14 and up. It contains strong adult language and mature themes including alcohol use and references to racism.
If King James were a film, it would likely be rated R.