
March 28—April 12, 2025
Meldrum Theatre at the Einar Nielsen Field House
Play | Utah Premiere
By Samuel D. Hunter
Runtime: 1 hour 30 minutes (no intermission)
A profound new work from the playwright behind the Oscar-winning film, The Whale
In the confined space of an office cubicle, Keith, a mortgage broker, and Ryan, a yogurt plant worker with aspirations tied to ancestral land, discover an unexpected shared thread weaving through their lives. Amidst discussions of loans and financial uncertainties, their conversation delves deeper, touching upon the challenges of parenthood and the angst of insecurity. Through a blend of humor, empathy, and raw honesty, Hunter skillfully intertwines Keith and Ryan’s stories, bridging the gap between their individual life experiences and shedding light on the complexities of human existence.
“the purest example yet of Hunter’s approach to playwriting as an experiment in empathy.” — The New York Times
$44-57 ($5 more per ticket if purchased at the door)
“A Case for the Existence of God” is presented in arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
Important Dates
Monday–Thursday 7:00 PM
Friday & Saturday 7:30 PM
Saturday 2:00 PM
Curtain Call for All “Pay What You Can” Performance: Monday March 31st @ 7:00 PM
ASL-Interpreted Performance: Monday, April 7th @ 7:00 PM
Sponsors



Overview
Cast
Creative Team
SAMUEL D. HUNTER (Playwright) grew up in Moscow, Idaho and lives in New York City with his husband and daughter. His full-length plays include The Whale (Drama Desk Award, Lucille Lortel Award for Outstanding Play, GLAAD Media Award, Drama League and Outer Critics Circle nominations for Best Play), A Case for the Existence of God (New York Drama Critics’ Circle Award for Best Play, Hull-Warriner Award), A Bright New Boise (Obie Award, Drama Desk nomination for Best Play), Greater Clements (Drama Desk nomination for Best Play, Outer Critics Circle Honoree), Lewiston/Clarkston (Drama Desk nomination for Best Play), The Few, A Great Wilderness, Rest, Pocatello, The Healing and The Harvest, among others. His screenplay adaptation of The Whale, directed by Darren Aronofsky and starring Brendan Fraser, was nominated for the 2023 BAFTA Award for Best Adapted Screenplay and received two Oscars, including Best Actor. He was also a writer and producer on all four seasons of FX’s Baskets. He is the recipient of a 2014 MacArthur “Genius Grant” Fellowship, a 2012 Whiting Writers Award and an honorary doctorate from the University of Idaho. His work has been produced off-Broadway in New York City by Lincoln Center Theatre, Playwrights Horizons, LCT3, Signature Theatre, Page 73 Productions, Clubbed Thumb and Rattlestick Playwrights Theatre. Elsewhere, his work has been produced by Theatre Royal Bath, Theatre Rotterdam, Dallas Theatre Center, Seattle Rep, Denver Center for the Performing Arts, Woolly Mammoth Theatre Company, South Coast Rep and Victory Gardens, among others. Two published anthologies of his work are available from TCG Books, and two more are forthcoming. He is a current Resident Playwright at the Signature Theatre in New York City and he serves on the executive board for the Dramatists Guild of America. He holds degrees in playwriting from NYU, The Iowa Playwrights Workshop and Juilliard.
TIMOTHY DOUGLAS (Director) helmed the PTC productions of Native Gardens, Clybourne Park, and Fences. Recent credits include Primary Trust (Cincinnati Playhouse in the Park), Blue (New Orleans Opera), the U.S. premiere of Natasha Gordon’s Nine Night (Roundhouse Theatre), The Color Purple (Signature Theatre; Helen Hayes Award for Best Musical), Champion (Boston Lyric Opera), the premiere of Something Happened in Our Town (Children’s Theatre Company), the U.S. premiere of Tristan Bernay’s adaptation of Frankenstein (Classic Stage Company), and the Great Theatre of China’s production and tour of Disgraced. He has made productions for Arena Stage, Cleveland Playhouse, Denver Center, Downstage New Zealand, Folger Shakespeare Theatre, Guthrie Theater, Juilliard School, Kennedy Center, Mark Taper Forum, Milwaukee Rep, NIDA Australia, Off Broadway, Portland Center Stage, Red Bull, Steppenwolf, among many others, including Yale Rep with the world premiere of August Wilson’s Radio Golf. Instagram: @timdirects | TimothyDouglas.org
LEX LIANG (Scenic & Costume Design) NYC/Off Broadway: 60+ Productions. Pioneer: Christmas in Connecticut, Native Gardens. Other Regional: Actor’s Theatre, Alliance Theatre, Asolo Rep, Cleveland Playhouse, Cincinnati Playhouse, Dallas Theatre, Denver Center, Geva Theatre, Goodman, Goodspeed, Guthrie, La Jolla Playhouse, Long Wharf, Old Globe, Oregon Shakespeare Festival, Papermill Playhouse, Pasadena Playhouse, Portland Stage, Portland Center Stage… Lex is the founder/principal of LDC Design Associates, an experiential event design and production company in NYC. Clients include Absolut, Gucci, Invesco, Johnson & Johnson, The Kardashians, The Tony Awards Gala, NYFW, NYWFF, William Hill Wine, and others. www.LexLiang.com | www.LDCdesign.com | @MrLexLiang
YAEL LUBETZKY (Lighting Design) Returns to Pioneer having previously designed The Will Rogers Follies. Yael’s design credits include The Broadway production of Russell Simmons’ Def Poetry Jam; Off-Broadway productions with The New Group, The Public Theater, Playwrights Horizons, WP Theatre, York Theatre Company, The Joyce, and National Yiddish Theatre Folksbiene. Regional design credits include productions at American Conservatory Theatre, The 5th Avenue Theatre, Chicago Shakespeare Theater, Paramount Theatre, Drury Lane, Milwaukee Repertory Theatre, Syracuse Stage, Trinity Repertory Company, Arizona Theatre Company, Arkansas Rep, Children’s Theatre Company. Recent designs include Natasha, Pierre & The Great Comet of 1812 (Writer’s Theatre); Fires in the Mirror (Bristol Riverside Theatre): Matilda, Cats (Wichita Music Theatre); On Your Feet, Kinky Boots (Riverside Theatre); and Master Class (Arizona Theatre Company).
MATT MITCHELL (Sound Design) is excited to be collaborating with Pioneer Theatre Company once again! While Matt has contributed to various audio aspects of past PTC productions, this is his first time serving as sound designer. Matt’s previous sound design credits include work with Weber State University (Alice By Heart); Sandy Arts Guild (The 39 Steps, Emma); and Draper Amphitheater (The Little Mermaid). He has also provided consultant work and system designs for Hart Theatre. Matt currently works full-time as the Audio Department Manager for Upstage Companies, where he provides sound reinforcement for outdoor concerts, festivals, and corporate events throughout Utah.
EMILY ROTH* (Production Stage Manager) is very excited to be joining Pioneer Theatre Company this season! Recent credits include: The Woman in Black US Tour (Pemberley Productions), Miss Saigon (White Plains Performing Arts Center), Dial M for Murder and Sea Monsters of the Deep (White Heron Theatre Company), Lesley Nicol’s How The Hell Did I Get Here? (Pemberley Productions), and Ajijaak on Turtle Island (IBEX Puppetry). She is the co-author of Stage Management Basics: A Primer for Performing Arts Stage Managers (Focal Press © 2017, 2nd ed © 2022).
JAMES O. HANSEN* (Stage Manager) is thrilled to be in his second season here at Pioneer Theatre Company! Other credits include: Joseph…Dreamcoat (starring David Archuleta), Mary Poppins, and Wonderland at Tuacahn Amphitheatre. Clue (starring Sally Struthers), The Wedding Singer, A Christmas Carol, and Flashdance (starring Julia Macchio) at The Gateway Playhouse. James earned a Bachelor’s Degree in Arts Management from Dean College. Special thanks to his Mom, Family, and Ostie for their love and support! DHH.
GEOFF JOSSELSON, CSA (Casting) Broadway: Into the Woods (Artios Award), Sweeney Todd, Spamalot, The Velocity of Autumn. Off-Broadway includes: Cellino v. Barnes, Kinky Boots, Dracula: A Comedy of Terrors, Altar Boyz, Southern Comfort, Yank! Select Regional and Off-Broadway Theatre companies: Alley Theatre, Arena Stage, Asolo Rep, Baltimore Center Stage, The Civilians, Irish Repertory Theatre, Kennedy Center, Long Wharf Theatre, Old Globe, Oregon Shakespeare Festival, Paper Mill Playhouse, Pasadena Playhouse, Pittsburgh CLO, Pittsburgh Public Theatre, Repertory Theatre of St. Louis, Seattle Repertory Theatre, Signature Theatre, South Coast Rep, Studio Theatre, Village Theatre, Woolly Mammoth Theatre, and the York Theatre Company. www.josscasting.com
PIONEER THEATRE COMPANY (PTC) Now celebrating its 63rd season, the award-winning PTC is Utah’s premiere professional theatre company and a leading arts organization of the West. Led by Artistic Director Karen Azenberg and Managing Director Adrian Budhu, PTC presents world-class productions that celebrate diversity in culture and society, and serve as the connecting bridge between art and scholarship as an affiliate of the University of Utah. Notable productions include the regional premieres of Les Misérables, Sting’s The Last Ship, and Frank Wildhorn’s The Count of Monte Cristo, as well as the world premieres of Shucked (the first-ever Broadway tryout in Utah), A Distinct Society by Kareem Fahmy, Alabama Story by Kenneth Jones, The Messenger by Jeff Talbott, and Ass by Ellen Simon. For more information, visit PioneerTheatre.org.
ACTORS’ EQUITY ASSOCIATION (AEA) Founded in 1933, AEA represents more than 51,000 professional Actors and Stage Managers nationwide. Equity seeks to foster the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actor’s Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. #equityworks
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United StatesYAEL LUBETZKY (Lighting Design) Returns to Pioneer having previously designed The Will Rogers Follies. Yael’s design credits include The Broadway production of Russell Simmons’ Def Poetry Jam; Off-Broadway productions with The New Group, The Public Theater, Playwrights Horizons, WP Theatre, York Theatre Company, The Joyce, and National Yiddish Theatre Folksbiene. Regional design credits include productions at American Conservatory Theatre, The 5th Avenue Theatre, Chicago Shakespeare Theater, Paramount Theatre, Drury Lane, Milwaukee Repertory Theatre, Syracuse Stage, Trinity Repertory Company, Arizona Theatre Company, Arkansas Rep, Children’s Theatre Company. Recent designs include Natasha, Pierre & The Great Comet of 1812 (Writer’s Theatre); Fires in the Mirror (Bristol Riverside Theatre): Matilda, Cats (Wichita Music Theatre); On Your Feet, Kinky Boots (Riverside Theatre); and Master Class (Arizona Theatre Company).
Media
Publicity
Preview Coverage
BroadwayWorld
A CASE FOR THE EXISTENCE OF GOD to be Presented at Pioneer Theatre Company
@theU
A profound new play: ‘A Case for the Existence of God’
Reviews
Coming soon
Study Guide
Content Advisory
Please Note:
The age-based guidance below is intended as a recommendation only. We do encourage you to use your judgment based on your own research of the show, your own sensibilities, and a child’s age and maturity level.
Also, in accordance with theatrical licensing agreements, Pioneer Theatre Company presents each production as originally written and intended by its author(s). If you are concerned with any content beyond what is provided below, a copy of each production script is available for in-person perusal during PTC’s regular Box Office hours.
A Case for the Existence of God: For Which Audiences?
Contains strong adult language, and some alcohol use. Recommended for ages 13 and up.