by Karen Azenberg As this posts, I will be wending my way south to Cedar City for the weekend. It’s always fun to see what my colleagues at Utah Shakespeare
by Karen Azenberg I have begun what I call my subliminal work on Sweeney Todd. I’ve probably said this before, but one of the first things I do when working
by Karen Azenberg Regards from New York City and upstate New York. I am on a combined business/vacation trip to the East Coast, grabbing some meetings with the Sweat director
by Karen Azenberg I’m now casting and preparing for Oslo, the first show of our season. I know, we just ended last season. And this is supposed to be our
by Karen Azenberg The Broadway Review… OK, I have seen them all! Twenty-seven shows. Ten in the last two weeks—and two of those were two-part shows. So, actually, 14 shows
by Karen Azenberg Attend the tale of Sweeney Todd… After a week of Sweeney auditions, I have finally been able to get “Waterloo” out of my head—though now that I’m
by Karen Azenberg In the category of “The show must go on”… During the first act of Mamma Mia! on Monday night, Coleen Sexton—who plays Donna—jumped a mere 18 inches
by Karen Azenberg We made it! Mamma Mia! opens tonight. Our disco adventure on a Greek island is on! The last show of the season—particularly a big musical like this
by Karen Azenberg It is graduation today here at the U, but not quite the end of the season for PTC. We start tech today for Mamma Mia! – orchestra
What is left to say about a show that has been seen by 60 million people in 40 countries and has been translated into 23 languages? It is possible that
